KONTEXT
3D campaigns for real-estate development — one visual world, unlimited content.
- 371-item media manifest treated as the specification
- Text parity verified as a diff, not a read-through
- Campaign case studies with interactive 360° tours
Trusted by leading Florida businesses
Copying exactly is the harder brief
Designing something new lets you route around anything awkward. Copying something exactly means every place your build disagrees with the original is a defect you have to find and fix — including the ones nobody would ever notice, and the ones you would rather argue about.
A previous pass had taken creative liberties and the client had noticed. That is the whole reason the instruction arrived as bluntly as it did, and it was the right instruction.
Verify mechanically, not visually
Comparing screenshots and trusting your eyes does not scale past a few sections. Running the visible text of her page against ours as a literal diff does. It surfaces the dropped clause, the changed number and the heading that lost its second line — the things a careful read-through misses precisely because they read fine.
"Roughly the same images" is not the same images
Our galleries were not wrong exactly. They were more — curated separately from the same source months earlier. Aloma held thirty images where she shows nineteen. When the brief is parity, more is a defect.
What shipped
A dark, cinematic site that reads like a reel: campaign case studies for Aloma, SeaCross and Revel, a 500-plus project count, an interactive 360° tour, and a client logo wall carrying names like Blackstone. Every gallery matches the client's manifest exactly — Aloma shows nineteen images because nineteen is what she specified, not the thirty a separate curation had accumulated.
KONTEXT builds 3D visual campaigns for property developments that are planned, produced and released long before anything is built. The brief for the site rebuild was unusually strict: the client had already designed her own version, and it needed to be reproduced section by section, word for word — not in that spirit, not as a reference. The same.
We treated her build as a specification and verified against it mechanically rather than by eye. Her media manifest — 371 items — became the authority for what belongs in every gallery, so galleries were rewritten wholesale to her set and her order instead of merged toward it. The text parity check ran as a line-by-line diff rather than a read-through, because a read-through finds the paragraph you rewrote and misses the word you dropped.
- 371-item media manifest treated as the specification
- Text parity verified as a diff, not a read-through
- Campaign case studies with interactive 360° tours
- Galleries rewritten to the client's exact set and order
